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	<title>Comments on: Casey Klahn: How to Make Your Audience Weep</title>
	<link>http://artandcritique.com/2008/05/01/casey-klahn-how-to-make-your-audience-weep/</link>
	<description>Critical articles on artists from various periods, including contemporary daily/frequent painters. Art interpretation guide.</description>
	<pubDate>Fri, 04 Jul 2008 12:35:38 +0000</pubDate>
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		<title>By: elijah</title>
		<link>http://artandcritique.com/2008/05/01/casey-klahn-how-to-make-your-audience-weep/#comment-321</link>
		<dc:creator>elijah</dc:creator>
		<pubDate>Sat, 03 May 2008 23:11:18 +0000</pubDate>
		<guid>http://artandcritique.com/2008/05/01/casey-klahn-how-to-make-your-audience-weep/#comment-321</guid>
		<description>@Casey: Absolutely, and sometimes it may seem just too overwhelming. On the other hand, what are the alternatives? I guess we are all privileged to have seen their art when it is already a part of an established canon.

I think comparisons beg to be made with your artwork. Rothko -- the dominating rectangles -- is evident, but then you add these trees, these perpendicular lines, which also echo Kandinsky. In my opinion you have an interesting and original mix.


@Vivien: Thank you! I hope you will continue to visit here!</description>
		<content:encoded><![CDATA[<p>@Casey: Absolutely, and sometimes it may seem just too overwhelming. On the other hand, what are the alternatives? I guess we are all privileged to have seen their art when it is already a part of an established canon.</p>
<p>I think comparisons beg to be made with your artwork. Rothko &#8212; the dominating rectangles &#8212; is evident, but then you add these trees, these perpendicular lines, which also echo Kandinsky. In my opinion you have an interesting and original mix.</p>
<p>@Vivien: Thank you! I hope you will continue to visit here!</p>
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		<title>By: vivien</title>
		<link>http://artandcritique.com/2008/05/01/casey-klahn-how-to-make-your-audience-weep/#comment-318</link>
		<dc:creator>vivien</dc:creator>
		<pubDate>Sat, 03 May 2008 09:33:26 +0000</pubDate>
		<guid>http://artandcritique.com/2008/05/01/casey-klahn-how-to-make-your-audience-weep/#comment-318</guid>
		<description>A really interesting analysis :&#62;)   I enjoyed visiting your site</description>
		<content:encoded><![CDATA[<p>A really interesting analysis :&gt;)   I enjoyed visiting your site</p>
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		<title>By: Casey Klahn</title>
		<link>http://artandcritique.com/2008/05/01/casey-klahn-how-to-make-your-audience-weep/#comment-309</link>
		<dc:creator>Casey Klahn</dc:creator>
		<pubDate>Fri, 02 May 2008 13:42:40 +0000</pubDate>
		<guid>http://artandcritique.com/2008/05/01/casey-klahn-how-to-make-your-audience-weep/#comment-309</guid>
		<description>My response to this thought-provoking crit. are up at The Colorist.blogspot.

The way you've picked out my water themes is spooky, Elish.  I grew up under a rain cloud, you may not know. And right on the ocean beaches, too.

And, because of my families' involvement in the logging industry (Washington State), I have indelible images of great conifers tacked on my brain.

You may be interested to see my response post because I tie in some Northwest School (Abstract Expressionist movement in Washington State, USA that slightly pre-dates the New York school) influences.  I am greatly flattered (and humbled) to be described by comparison to the abstract masters. Their influence does loom large for contemporary abstract painters, eh?

Kindly,
KC</description>
		<content:encoded><![CDATA[<p>My response to this thought-provoking crit. are up at The Colorist.blogspot.</p>
<p>The way you&#8217;ve picked out my water themes is spooky, Elish.  I grew up under a rain cloud, you may not know. And right on the ocean beaches, too.</p>
<p>And, because of my families&#8217; involvement in the logging industry (Washington State), I have indelible images of great conifers tacked on my brain.</p>
<p>You may be interested to see my response post because I tie in some Northwest School (Abstract Expressionist movement in Washington State, USA that slightly pre-dates the New York school) influences.  I am greatly flattered (and humbled) to be described by comparison to the abstract masters. Their influence does loom large for contemporary abstract painters, eh?</p>
<p>Kindly,<br />
KC</p>
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