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Andrea Kowch: Landscapes and Outdoor Scenes -- A Descent into Memory

Andrea Kowch writes in her Mini Paintings blog about her impressions from some of these settings. She then channels them into visual descriptions. Several features distinguish the landscapes and outdoor scenes: reticent realistic palette; angles and slanting lines that accentuate the perspective and play a more symbolic role (see below) as well; joyful and vigorous [...]

 
Andrea Kowch: Book Covers -- "The Crucible," "The Sleepy Hollow"

The polished transcendental look of the magical realist pieces gives way to grittier coloring and more down to earth feel in the book covers. Here blue and gray tones do not symbolize or portend cold and hostility; they depict them as it is, or was — conceived in the authors’ minds. I haven’t read “The [...]

 
Andrea Kowch: Magical Realism and Real Problems

Andrea Kowch is an American (Detroit, Michigan) artist who adopted the One Painting a Day practice, citing it as “great discipline and good exercise.” Her daily paintings, usually still life, are workmanlike, but it is the larger pieces where, to my mind, most of the original concepts concentrate. Andrea’s artwork may be seen on her [...]

 
M Collier: Still Life with Artichokes; with Figs

I like these paintings for their promises of numerous pleasures. Yes, there is the basic familiar satisfaction in watching still life unfold on the panel, — pleasure of the aesthetic kind, simply put, the one which every art lover grows to appreciate with time. However, here its edge dulls somewhat in the presence of the [...]

 
M Collier: Typewriter and Rotary Phone

Although these obsolete mechanisms were designed for purposes that to some may seem opposing — a conversation with oneself (and the audience) when using the typewriter and a conversation with a different person while talking on a phone — they were both, nevertheless, used as a means of communication. Circles embody that kinship, the geometrical [...]

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