Perhaps too much stress has been put into sexual interpretations of this early painting (exists in two versions, one hangs in National Gallery in London (Boy Bitten by a Lizard), the other in La Collezione di Roberto Longhi in Florence) by Caravaggio (Wikipedia Article on Boy Bitten by a Lizard, and Caravaggio Wikipedia Article). There [...]
A serene composition unfolds before us (the piece was painted in two different variations: the one below hangs in Louvre, Paris, [visit the great Louvre official site too] , and the next one hangs in Musei Capitolini, Rome, and may be seen in the slideshow on the main page). It may seem as though Caravaggio [...]
Windows are evocative objects. Without someone visible looking through, they can bring about feelings of loneliness and alienation — and that’s what Holly Lombardo’s windows do for me. They appear lonely, detached and abstracted from the whole of the house, and I reach for the perennial allegory of the individual versus the society to account [...]
This is where the artist shifts the gears of inspiration from Malevich to Kandinsky: these are much more chaotic, dancing and moving pieces, characteristic of the latter painter. Figurative remnants in the form of flowers and branches suggest that Don Li-Leger wants to create an original synthesis — his own interpretation of Kandinsky’s pure abstract [...]
Must there be something symbolic in watercolors depicting water? I feel almost impelled to find a hidden link – and there isn’t one besides the relation made obvious by the words themselves. Watercolor is not the perfect medium — if there is one — for seascapes and scenes, but, as Holly Lombardo shows us, it [...]
| © 2011 Art & Critique | All Images Copyright of Their Respective Owners |
Recent Comments