Several of Stephen Magsig’s trademark stylistic features contribute to a succinct yet expressive image: juncture viewpoint, strong juxtaposition of light and shadow, spacious monochrome patches. Themes also recur — apparently abandoned industrial buildings, empty streets in broad daylight — the principal subject always being the city of Detroit, and its decline. Various compositional echoes (the [...]
Jean Francois Millet became a champion of the poor, disadvantaged peasant class by portraying farm workers performing everyday tasks. While he established himself as a proponent of realism — a movement that was in many ways the opposite of grand romanticism of the first half of the 19th century — he nevertheless romanticized his models, [...]
In this romantically titled piece the artist depicts what appears like a single industrial complex. The viewers finally get to witness an active plant — as opposed to the abandoned warehouses and buildings that populate many other Detroit locations Stephen Magsig chooses to portray. Darkness blurs the edges of this massive heap of metal and [...]
“Shepherdess with Her Flock” demonstrates a compositional blueprint almost identical to that of the Angelus: a similar division of the canvas, where vast plain and skies occupy most of the foreground and background, protagonists at the front, a centralized vanishing point. The theme of a solitary working peasant reoccurs also in the Knitter (see image [...]
This Detroit industrial area depicts a warehouse dissected by a bridge, and suggests economic symbolism: an infrastructure of production, storage and distribution. As in the artist’s urban scenes, the location appears deserted and neglected. It’s somewhat difficult to determine whether the building itself is populated — the yellow and orange in the windows, at first [...]
| © 2011 Art & Critique | All Images Copyright of Their Respective Owners |
Recent Comments